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So I was presenting this movie that was very, very successful - I will never forget what Nick Vallelonga wrote about the movie - he wrote fantastic, fantastic things about the movie. It’s the story of the great opera director going to Cuba to teach the children of Cuba, the children of Havana. Kyrie is the Kyrie Eleison of Rossini, the great composer. Havana, of course, is the capital of Cuba. Another project that he gave me was about a man who wants to commit suicide on a bridge somewhere in San Francisco - I don’t know where - and… I played voice on the telephone… I don’t think he’s that yet… He actually asked me to do something else, this year when I was showing my movie that I did in Cuba, called Havana Kyrie. A night lying in an open graveįranco Nero: We were somewhere outside of Los Angeles. Vlad Kozlov told me his assistant director didn’t even think you’d do it. Django Unchained (2012) – source: The Weinstein CompanyĪnd you did spend an entire night lying in an open grave, I gather. Then he asked me to do The Killers - “You’re still in Los Angeles, can you do it? Can you lie in a grave for me?” So I did it. I like to help young directors once in a while. So that is the second thing I did for him. We invented everything, and it came out very well. And so, we did this short, The Kid, that is very, very good, excellent. So I see Vlad there, and he asks “Do you have one day for me? I’m going to do another short with, who was Superman on Hollywood Boulevard, taking photos with the children. Now every year, we do a festival in Los Angeles, at the Chinese Theater, and I always go, because I am one of the organizers of the festival and generally I show one of my movies. So, I was there and I watched the movie, and it was alright-it was quite good.
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I was there because they gave me a prize, a wonderful award. I think they actually showed the movie at the Moscow film festival. I mean, the soul of Valentino, you know, and was very happy. And so we decided, that I would do the voice, the voiceover, the soul of Valentino, all the voiceover for the film.
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Can you be involved?” I said, “How?” He said “Maybe you can play a part-you can play the man who teaches Valentino how to be with women.” But I didn’t have the time then, to go to America. Nero, I really liked that movie that you did, and I want to do my own version of Valentino. Many years ago, I don’t know, maybe 10, 12 years ago, he worked with me, and many years, in 1975, I did a movie called The Legend of Valentino. How did you first link up with Vlad Kozlov? The soul of Valentinoįranco Nero: How I get involved with Vlad? A long story.
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I think after over 200 feature films, we can trust your instincts, sir. And I’ve also seen the shorter version The Killers.įranco Nero: Yes, we made that short first, and then he wanted to make it into a real film. I wanted to talk to you about the new movie Immortalist, which I have had the opportunity to see. Jim Dixon for Film Inquiry: It is genuinely an honor to talk to you, Mr. Nero recently spoke exclusively with Film Inquiry. He’s appeared most recently in Quentin Tarantino’s Django Unchained, John Wick: Chapter 2, and four movies for director Vladislav Kozlov, all co-written by the filmmaker’s wife and frequent artistic collaborator, Natalia Dar: Death of the Sheik, American Superman, Immortalist and Silent Life.
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He has appeared in Hollywood product periodically- Force 10 From Navarone (helmed by veteran James Bond director Guy Hamilton), Enter the Ninja, Die Hard 2, and many TV movies and miniseries. He played Django more than once since, and became a fixture in Italian crime movies. Nero has remained an international star since, making movies on just about every continent except Antarctica. In the same year, he played Sir Lancelot in Joshua Logan’s adaptation of the smash Broadway hit Camelot, in which he may have obtained some measure of justice for having been previously murdered by Richard Harris by stealing Queen Guenevere ( Vanessa Redgrave) away from Harris’ King Arthur. A mini-explosion of films followed, including Sergio Corbucci’s Django, one of the most entertaining spaghetti westerns ever made, and still a cult favorite. His first major international exposure was in John Huston’s 1966 film The Bible, in which the young Nero played Abel, is murdered by Richard Harris’ Cain. The son of a carabinieri (police officer), Nero was born in Parma on November 23, 1941. Franco Nero is without question one of the most prolific actors in modern cinema, having appeared in nearly 240 features starting in the 1960’s.